Process Report of Bruno Grilo’s Work in a Collective Exhibition at Casa Museu Abel Salazar titled The Apology of Crisis (of Discomfort and Dialogue as Paradox)

Palabras clave: Fictional, Political, Sculpture, Photography, Artistic process

Resumen

The present narrative about the creative and exhibition process of Bruno Grilo’s artistic work brings together a set of works developed in 2019 for the collective exhibition at Casa-Museu Abel Salazar, as part of the PhD in Fine Arts – The Site and the Place: Essays on Practice and Criticism, based on the case study of the Algarve. The project was developed in the form of three sculptures that aimed to dialogue with each other, despite being exhibited in different areas of Casa-Museu Abel Salazar. The works were as follows bellow: Fictional Freedom. Wood and yellow industrial paint. Dimensions: 150 x 200 x 40cm; Untitled. Wood, digital print on MDF. Dimensions: 150 x 200 x 40cm; and Untitled. Balsa wood. Various dimensions.

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Publicado
2024-09-30
Cómo citar
Grilo, B. (2024). Process Report of Bruno Grilo’s Work in a Collective Exhibition at Casa Museu Abel Salazar titled The Apology of Crisis (of Discomfort and Dialogue as Paradox). Rotura – Revista De Comunicação, Cultura E Artes, 4(2), 53-64. https://doi.org/10.34623/vhwf-fr46
Recibido 2024-05-02
Aceptado 2024-09-30
Publicado 2024-09-30